In which Annie (high school teacher, mother of two young girls and a younger boy) and her aunt Deborah (children's bookseller, mother of two young women in their 20s) discuss children's books and come up with annotated lists.

Showing posts with label dragons. Show all posts
Showing posts with label dragons. Show all posts

Wednesday, October 1, 2014

Fabulous Monsters

Dear Aunt Debbie,

First, an invitation to our readers:

Readers! We want to answer your book queries! We are always happy to hear from you, and eager to respond to questions. This month, we are offering a special invitation: put us to work! Is there a void in your reading-with-children life? A type of book you've been looking for, but don't know where to start? Are you starting to think about birthday or holiday gifts for the children close to you? Comment on this blog post and/or email us at annieandaunt[at]gmail[dot]com. We look forward to your ideas!

I was prompted to put out this invitation, Aunt Debbie, by your most excellent response to my friend Eunice's question about audio books for a western road trip, a post which made me want to plan our own long driving trip right now. But as the school year has just begun, and we're still settling into our new house, we'll have to make do with listening in the living room, where our books are still packed away in boxes, awaiting the arrival of new bookshelves.

Isabel's 5th birthday brought a nice little influx of books into the house. There was the fabulous birthday box from you, containing several books I'll write about soon. My brother Michael and sister-in-law Grace gave us four more Olympians graphic novels, which meant we could finally return most of them to the library -- the girls have continued to reread them nonstop since early August. And our wonderful friend and frequent guest blogger Holly came through with a well-curated selection of graphic novels.

As you know from Holly's posts about dragon-themed picture books and dragon-themed chapter books, her son Ian is in love with dragons. It makes sense, then, that Holly would find us the brand-new graphic novel Dragon Girl: The Secret Valley, by Jeff Weigel. It's pretty fantastic.

Dragon Girl is set in a vaguely medieval time, with knights and blacksmiths and dragons who are sometimes spotted roaming the countryside. 11-year-old Alanna and her older brother Hamel are orphans, taking care of themselves since the recent death of their father. Alanna discovers a cave filled with dragon eggs abandoned when their mother was killed by a knight, and takes on the responsibility of caring for the hatching baby dragons. To prevent the dragons from getting acclimated to human contact, which would endanger their lives in the future, Alanna makes herself a dragon costume to wear when she comes to bring the babies food and play with them. There are some very funny scenes of Alanna dancing and singing with the babies -- apparently, dragons like to party.

Of course, complications ensue: One baby dragon hatches at a moment when Alanna's mask is off, imprints on her immediately, and follows her home.



Meanwhile, the dragon-killing knight Sir Cedric is on the prowl, and there's a mysterious flying craft shooting from the sky, piloted by a masked figure. The story culminates in a hidden valley full of dragons, where Sir Cedric's greed and violent nature are set up against the intelligence and curiosity of the dragon-researcher Margolyn.


Alanna is a terrific character: smart, brave, kind, and stubborn in her belief in doing right. Her sibling relationship with Hamel feels realistic, and Margolyn provides a strong adult female presence in the story. There's an environmental push to the narrative -- don't destroy the land in your pursuit of wealth; learn about other creatures rather than killing them blindly -- but it doesn't feel preachy. We were all happy to see the number 1 on the book's spine, and know that there are more Dragon Girl books coming.

Eleanor, meanwhile, has become a huge Percy Jackson fan. After reading The Lightning Thief in one day a couple of weeks ago, she has finished books two and three, and is lobbying me to enroll her in Camp Half Blood next summer (have I mentioned how much I love living in Brooklyn? Role-playing Greek god camp in Prospect Park!)

Camp Half Blood is, of course, the name of the camp in the Percy Jackson series where half-bloods (children of Greek gods and their mortal paramours) spend the summer training to use their powers wisely and prepare for the Olympian battles that might be coming their way. It's a safe haven for these kids, most of whom live in the normal human world during the school year. Once inside the boundaries of Camp Half Blood, young demigods are supposed to be protected from the monsters which are free to come after them in the outside world. Percy is particularly endangered, because he's the son of Poseidon, one of the "big three" gods (along with Zeus and Hades) who promised a while back not to father any more children. Percy's existence is proof that Poseidon broke his word.

You mentioned in a post a couple of years ago that you'd stopped reading The Lightning Thief after two chapters. I think it's worth another try -- I read it last week, and was pleasantly surprised by its intelligence. Yes, as you put it, it's "a very action-action series," full of cliffhangers and bursts of violence. But the violence is tempered with a sort of video game logic. It turns out that the math teacher who turned into a homicidal monster (and made you stop reading) is really a Fury, up from Hades to punish Percy because the gods believe he stole Zeus's lightning bolt. When Percy slashes at her with his magic sword/pen, she bursts into a shower of yellow powder. She's not killed, exactly: all the mythical monsters he defeats in the book are immortal. They can be cut down in the moment, but they're never really dead, and so Percy isn't ultimately a killer.

Riordan knows his mythology, and his books are full of sly references and smart jokes. In one of my favorite scenes, Annabeth, a daughter of Athena and the major female character in the series, explains to Percy how she knows that he's been kicked out of a series of schools:

"How --"

"Diagnosed with dyslexia. Probably ADHD, too."

I tried to swallow my embarrassment. "What does that have to do with anything?"

"Taken together, it's almost a sure sign. The letters float off the page when you read, right? That's because your mind is hardwired for ancient Greek. And the ADHD -- you're impulsive, can't sit still in the classroom. That's your battlefield reflexes. In a real fight, they'd keep you alive. As for the attention problems, that's because you see too much Percy, not too little. Your senses are better than a regular mortal's. Of course the teachers want you medicated. Most of them are monsters. They don't want you seeing them for what they really are."

Okay, so there's some anti-teacher bias. (On the teacher appreciation side, Percy's Latin teacher, the wheelchair-bound Mr. Brunner, is awesome, and turns out to be the centaur Chiron in disguise -- his horse body folds up into a hidden box inside the wheelchair.) Still, I love the idea that kids with learning disabilities are secretly just wired for ancient Greek.

Greek god role play! Dragon costumes! I have the feeling we'll be reveling in fantastic creatures for months to come.

Love, Annie

Tuesday, October 1, 2013

Guest blogger: Dragons in chapter books

Dear Aunt Debbie,

Your comments about My Side of the Mountain hit home -- yes, I think some of what I'm responding to negatively has to do with the ways in which the attitude toward nature feels dated and a little twisted. I'll check out some of the survival novels you mention. And I look forward to hearing more about contemporary fantasy authors -- I'm sadly under-read in that area.

My good friend Holly, however, is deep into fantasy with her son Ian. Not just any fantasy, of course: fantasy about dragons. Holly has blogged here before about dragon picture books (as well as  outer spacemap books, and kid-appropriate adventure and peril).  I've been hearing a lot in recent months about the dragon chapter books Holly and Ian are reading, and I asked Holly to write up her thoughts on their favorites.  Here she is:

One thing that has astonished me as a parent is the unflagging, focussed passion kids can have for their chosen interests. While my son Ian will stubbornly refuse to accept that last week he liked kiwi, he remembers every dragon related incident in his life seemingly from birth and will literally weep sometimes when he describes how much he would like to be a dragon. For good or bad, I’ve supported this obsession, and thus my unending blogs about dragon books! I have become quite a connoisseur of this genre, and I’m happy to pass my expertise along.


This past Christmas, Annie’s family gave us The Enchanted Forest Chronicles (Dealing with Dragons, Searching for Dragons, Calling on Dragons and Talking to Dragons), by Patricia C Wrede. The series begins with Princess Cimorene, who wants to break away from the expected role of princess. I have to admit I find this a little played out. I think Ian has had much more exposure to this sort of smart sassy sword-wielding anti-establishment Princess than to the convention which she is rebelling against, so I wonder what he makes of it.


In any case, she soon runs off to become a princess for a dragon named Kazul, where she cooks and gets to organize her treasure, magical objects and and her library (my dream job) while discouraging the princes who, following society’s expectations, come to rescue her. She discovers a plot by the wizards to poison and usurp the King of the Dragons. Cimorene, clever and level-headed, foils their plans with the help of a witch, another princess, a stone knight, and lots of good magical spells and gimmicks. At the end of the first book, Kazul becomes King (female or male ruling dragons are called Kings) and Cimorene’s happy ending is staying on with her to be her princess.


The books are all told from the points of view of Cimorene’s companions, Mendanbar (King of the Enchanted Forest), Morwen (a witch with lots of cats), and Daystar (spoiler alert! Cimorene and Mendanbar’s son) as they go on quests to foil the wizards. There were times when I felt the action lagged as the characters travelled in groups and had to discuss and review everything constantly, but perhaps this is necessary for young readers. But each book was full of magic and likeable characters on an new quest without any actual danger or loss -- totally engaging for Ian.


Cimorene and Mendanbar fall in love, marry and have a child, but this is not central to the story or Cimorene’s action, which I appreciated. I enjoyed the fact that in the third book Cimorene is pregnant but this is hardly mentioned as she initiates a quest to retrieve Mendanbar’s sword from the Society of Wizards, embarks on risky teleportations, slogs through a swamp, rides a winged blue donkey, is enchanted and attacked by deadly invisible plants, etc. before returning to the Enchanted Forest to find her husband trapped in an enchantment by the wizards. At the end of book three she plans to live incognito with her newborn son, raising and training him on her own so he can use his inherited powers to rescue his father. I have to admit, the female characters in this series really won me over.


My second recommend for a girl-centric series would be Dragon Slippers by Jessica Day George, starring another “non-conventional” girl who makes friends with a dragon rather than being saved by a knight, moves to the city on her own, succeeds in the dressmaking business, and helps the misunderstood dragon population defend itself against various attacks. However, Ian was not into this beyond the first book. Not because there are a lot of descriptions of dresses (and there are) or because our new-fangled heroine falls in love with a prince (yes, she does), but because there are wars and dragon deaths and slavery and it becomes pretty intense, and will probably be more appropriate at a later age, if he’s still game for dresses and romance.


Another series that Ian wants to go back to frequently is The Dragonology Chronicles by Dugald A. Steer. Set in the 1800s, it follows a brother and sister, Daniel and Beatrice, as they are educated in Dragonology by Dr. Drake, the credited author of Dragonology: the Complete Book of Dragons.  Throughout the four books they help defend the dragon world against attacks from various evil power-hungry humans. It has everything you need in a dragon story: magical artifacts, riddles, traps, secret codes, various species of difficult to befriend dragons and dragon eggs that need hatching. It is action packed and at times quite scary. The series ends as dragon stories often seem to: dragons and people are not able to exist in the same world and there is a sad parting between boy and dragon. See also Jeremy Thatcher, Dragon Hatcher by Bruce Coville and Puff the Magic Dragon (Ian forbids us to sing the last verse).



OK, one more! We both really liked this one. We recently finished
Dragon Rider
by Cornelia Funke. Not a series (phew!). A dragon named Firedrake sets off to find a safe place in the modern world for dragons to live accompanied by a forest Brownie, a grumpy cat-like creature named Sorrel.  A wise old dragon instructs them to seek the Rim of Heaven, a hidden valley in the Himalayas where he was born and he is certain a group of dragons still remains. When they stop in a city to get a fabulous map from a genius rat, they meet a young, amazingly well adjusted boy named Ben with apparently no human connections and no back story, who joins their quest. Along the way, they are betrayed by a mountain dwarf to a horrible man-made golden dragon named Nettlebrand who was created to hunt dragons and has seeking them since they have become rare and hidden in the world. Nettlebrand sends his servant, a man-made homunculus named Twigleg, to spy on Firedrake and find the location of the Rim of Heaven.


When they are blown off track and Sorrel is captured, they meet a scientist named Dr Greenbloom who is derided by his colleagues because his specialty is fantastic creatures. He helps the group by sending them to a djinn for directions and giving them one of Nettlebrand’s golden scales. While the quest continues, Twigleg comes to love Ben and works against Nettlebrand’s interests. It is a long and exciting book with many fantastical creatures. It culminates in an all out battle in the Rim of Heaven between our heros and Nettlebrand in which none of our heros get hurt and Nettlebrand is defeated but doesn’t actually die. We were braced for a boy-dragon farewell scene, since Ben was clearly going to go live with Dr Greenbloom and his family and the dragons were being pushed farther into isolation by human ways. Ian went ahead and started sobbing in anticipation, but then, wonder of wonders!:


“You need human beings the way I need the other dragons, the way Sorrel isn’t happy without the other brownies to quarrel with. Without human beings, you’d start to feel very lonely.”


“I’ll feel lonely without you dragons, too,” said Ben, looking away from Firedrake.


“No, no!” Firedrake rubbed his head very gently against the boy’s. “Believe me, we shall meet again. I’ll visit you as often as your short human life allows.”


“Oh, yes, please,” replied Ben. “Visit me often.” And he put his arms around the dragon’s neck and hugged him as if he would never let him go.


That is what, in this house, we call a happy ending! Until we manage an actual boy to dragon transformation, this is pretty much as close as we can get to a perfect dragon experience. But, that doesn’t mean we’re done! The quest for dragons continues! Wish me luck.

Holly

Good luck, dear Holly!

Love, Annie




Friday, June 1, 2012

Guest blogger: Dragons!

Dear Aunt Debbie,

I haven't thought of The Worry Week in years, but I remember loving it as a kid, especially Alice's dreamy Shakespearean passages.  I modeled a lot of my 4th and 5th grade writing on Anne Lindbergh.

Our first guest blogger for this portfolio-grading season is Holly, who has blogged for us before about outer space, map books, and kid-appropriate adventure and peril.  Here she is:

After all this great discussion of summer books, I am really tempted to write about a book we read just recently (and that I wish I’d read when I was a kid): Gone Away Lake by Elizabeth Enright. However, I have had specific instructions from Ian to write about our favorite dragon books. Dragons are his most recent obsession, but of course all dragon books must be bloodless and have dragons as the good guys. No St George stories for us.

We actually just finished Thomas and the Dragon Queen, which Annie already blogged
about, but before that was Kenny & the Dragon by Tony DiTerlizzi. Like Thomas, the real hero is Kenny, a young underdog (well, under-rabbit). Kenny is a book-loving, somewhat nervous rabbit whose earthy father discovers a dragon while bringing home the sheep (always interesting to me when these anthropomorphised animal books also contain real animal acting animals). Kenny overcomes his fears and befriends the dragon, Graham, who turns out to be a charming poetry-writing intellectual who eats nothing more meaty than creme brulee.

The problem is that the nearby town panics when the dragon is spotted. The king sends a retired knight to exterminate him and the town mobs the hillside to witness the fight. A wonderful team assembles around Kenny to find a way to save Graham and Kenny is the one to come up with a very appealing plan, inspired by Shakespeare! They defuse the mob’s lust for blood by giving them exactly what they really want -- a good performance with a battle between good and evil. All ends well, of course, -- Kenny stands up to the town bully, makes friends, bonds with his dad and gets to be best friends with a dragon!

One of our favorite dragon picture books is about a different kind of dragon. Jin Jin the Dragon by Grace Chang begins: “One spring day, when the willow trees had turned green and the wind was softly blowing, a golden creature hatched, unnoticed, from a thousand-year-old egg.”

The gentle curious Jin Jin begins the book not knowing what kind of creature he is, and, in that classic and comforting story way, meets a series of creatures who claim him as one of their own based on one of his physical characteristics. In searching for his own identity, he discovers and learns about Chinese characters hidden in the landscape. At the end, he finds out his own nature and saves the land from a drought by breathing water. All the characters he has met along his journey show up for a big party at the end -- a trope that I happen to use pretty often in my own stories.

Bridging the dragon gap is East Dragon West Dragon by Robyn Eversole. I love the pictures in this book -- every time we read it we find some new hidden detail that makes us laugh. It is one of those ignorance and prejudice overcome by friendship created in crisis books (you know!).

Here you have East Dragon, golden, revered, and a great swimmer and there is West Dragon, green, harassed by knights, and winged. When West Dragon’s knights attack the East Dragon and are thrown in the dungeon, West Dragon comes to rescue them and ends up being rescued in return by East Dragon. And guess how it ends?

“So they looked at each other, smiled, and offered to take the king and his knights home in style, on the backs of ten leaping, diving, somersaulting dragons to the king’s castle for a festive, friendly, somewhat messy, slightly rowdy, long, dragon visit!”


Holly

And love from me, Annie

Monday, January 23, 2012

Storytelling and dragons

Dear Aunt Debbie,

I love Atinuke -- we read Anna Hibiscus' Song on repeat this weekend -- and look forward to her new series.  The video makes me think about storytellers we used to see perform when I was a kid: dramatic, hold the room in the palm of your hand performers who could stretch a story out in the best possible way.

Tonight I'm returning to dragons in the company of a storyteller: Shutta Crum, the author of Thomas and the Dragon Queen.  I mentioned this book briefly post-Christmas: a gift for Eleanor from my father-in-law, who somehow found a book containing both a Princess Eleanor and a baby sister named Isabel.  Perfection!

Eleanor adored Thomas -- we sped through the chapters, which are nice and short, punctuated with illustrations by Lee Wildish.  There's a lot to like in the book: an appealing hero, an episodic adventure, accurate medieval detail about arms and armor, dragons and other monsters, female characters with the names of the children in my family.  In terms of structure and tone, however, it's an uneven read.

Holly wrote so well last week about adult vs. child expectations of a narrative: as grownups reading to our kids, we want to pick books that are the right level of scary and suspenseful, not too dark just yet, but exciting.  We know that the heroes and heroines of children's books will be okay; we know what to expect.  Or do we?

Thomas and the Dragon Queen does not seem like a dark book.  Early on, you get to know not only small, unprepossessing Thomas, but also his small, unprepossessing friend Jon, who works in the stables, and the king's great horse, Heartwind, and the good old reliable donkey, Bartholomew.  It is love for these animals that introduces Princess Eleanor to the plot: she comes to the stables to feed Heartwind and Bartholomew in secret.  Towards the end, the dragon queen, Bridgoltha, is revealed to be the mother of twelve baby dragons, who has kidnapped Princess Eleanor to be their nursemaid.  All the dragons can talk (one of them in a mildly annoying cutesy way), and things with Bridgoltha are worked out via diplomacy and bargaining rather than violence.  This seems like one kind of book.

And yet.  The story takes place in a kingdom under siege: though it's never fully explained who is attacking and why, all of the able-bodied men of the kingdom are fighting at its borders.  Thomas only becomes a squire, and then a knight, because there aren't many adults around.  The king knights Thomas, then feels guilty about it and follows him in his quest to rescue Princess Eleanor; on the way, both parties fight a giant swamp monster with tentacles and many mouths.  Thomas defeats him, in a cool and complicated plot twist.  When he awakes, he finds out from Jon that when the king's party was attacked, everybody but the king and Jon died.  Including Heartwind.  Reading this aloud to Eleanor, I was taken aback -- what kind of story is this?  But no time to dwell on the deaths: in the next section, Thomas has to get across a body of water to Bridgoltha's island, and there is a several page long episode in which he rescues a baby dolphin from a bunch of floating debris.  A baby dolphin?  After you just killed off Heartwind?  Tonally, it's odd.

When I read in the author bio that Crum is a professional storyteller, among other things, I wondered whether part of what I was responding to in the book was the episodic nature of oral storytelling.  You don't tell a novel -- you tell sections, stories, tales.  Perhaps I should think about Thomas and the Dragon Queen in that light, as a group of linked short stories.  None of this seemed to cause any narrative dissonance for Eleanor.  As a parent, however, I know what to expect from a narrative, and I want to trust the narrator who's leading me and my child through the forest. 

Love, Annie