In which Annie (high school teacher, mother of two young girls and a younger boy) and her aunt Deborah (children's bookseller, mother of two young women in their 20s) discuss children's books and come up with annotated lists.

Showing posts with label milne. Show all posts
Showing posts with label milne. Show all posts

Saturday, June 12, 2010

Poetry 1

Dear Annie,

There's been a question about poetry for two-to-five year olds, so for the moment I’ll stick with pre-readers. The big question for me is, what is poetry for someone that young? Bob reminds me that somewhere in our house we have a five-pound book with bible-thin pages called something like “Poems for Children,” the majority of which were written in the 19th century. I bought it at some point when the girls were quite young, but we can’t remember ever opening it. One had the impression there would be a lot of sorting through to find the gems within.

There are wonderful books of poetry, like A.A. Milne’s When We Were Very Young, eloquently praised by you on 5/5/10, and  Now We Are Six. And everyone needs Mother Goose – in any edition – even if some of the poems are weirdly incomprehensible. For a very beginner book of poems, Jane Yolen’s
Here's A Little Poem: A Very First Book of Poetry
, collects a lot of later 20th century poets (Mary Ann Hoberman, Jack Prelutsky, Rosemary Wells, Nikki Grimes, and more) in simple, sweet and funny works.

Does poetry mean rhyming? Lots of fun, and a necessary concept to grasp before one moves on to learning how to read. But look at the books you’re already reading:

I would not like them here or there.
I would not like them anywhere.
I do not like green eggs and ham.
I do not like them Sam I Am.
(Green Eggs and Ham)

I meant what I said,
and I said what I meant
An elephant's faithful,
One hundred percent.
(Horton Hatches the Egg)

Just about all of Dr. Seuss is rhyme, as are many many others. Do I recall an Eleanor anecdote about her speaking in Dr. Seuss meter? A book I committed to memory early in parenthood was
The Piggy in the Puddle
, by Charlotte Pomerantz :

See the piggy,
See the puddle,
See the muddy little puddle.
See the piggy in the middle
Of the muddy little puddle.
See her dawdle, see her diddle
In the muddy, muddy middle.
See her waddle, plump and little,
In the very merry middle.

Ah…


The Seven Silly Eaters
by Mary Ann Hoberman, with great Marla Frazee illustrations, seems to have a life of its own at the store – flies off the shelf.

Not so long ago, they say,
A mother lived -- just like today.
Mrs. Peters was her name,
Her little boy was named the same.
Now Peter was a perfect son
In every way – except for one.

He was a picky eater, as were his six younger siblings. The action centers on all seven of them trying to agree on what to make their mother for her birthday. Hilarity all around.

Or by poetry, do we mean economy of language and vividness of imagery? Writing a picture book is not unlike writing a poem. Even though the imagery is helped along by the pictures, every word counts, and text is sparing. I offer one recent spare-text book by Emily Gravett,
Orange Pear Apple Bear
which is a combination of just those four words and great illustration. Is this not poetry?

I don’t want to sound too hokey, but when you’re reading with pre-schoolers, poetry is all around you.  This is of course the beginning of a conversation which we'll come back to quite a lot. 

Love,

Deborah

Wednesday, May 5, 2010

Classic starter chapter books

Dear Aunt Debbie,

Mr. Popper's Penguins! I have fond and foggy memories of that one. Will put it on my library list ASAP.

Reading about the Stuart Little problem reminded me that I wanted to write about Peter Pan. Eleanor got interested in the story through a perfectly awful Disney book we found among a host of other awful Disney books in our little local socialist coffee shop. (Great kids' area, super-left-leaning politics; I'm sure they have no idea that they're hooking my kid on capitalist culture.) She was, of course, fascinated, and I started thinking about ways to get her the real story. I looked back at the original J.M. Barrie book and realized immediately that it wouldn't hold her attention.


Peter Pan (Classic Starts)


What I found, after a little digging, was the Classic Starts version, which is a thoughtful, well-abridged retelling that captures the spirit of the original but is appropriate for younger kids. I don't know whether the other Classic Starts books are as good, but this one held Eleanor's attention for a first read-through that took a few days, and she's picked it up several times since and asked for specific bits of the story. Like the Wizard of Ozwhich we keep linking to, it's an abridgment I can get behind.

Another big hit in our house these days is the original Winnie the Pooh. We've been reading A.A. Milne's poetry to Eleanor for quite some time: When We Were Very Young is a fabulous collection, filled with lots of nonsense and infectious rhythm and rhyme.


When We Were Very Young


Eleanor's favorites include "Disobedience" ("James James Morrison Morrison Weatherby George Dupree, Took great care of his Mother, though he was only three.") and "Lines and Squares," about cleverly avoiding the bears that will get you if you step on any lines on the sidewalk. My heart will always go to "The King's Breakfast," in which the king "only wants a little bit of butter for his bread." (Now I want to go grab the book off the shelf and read them all.)


Winnie the Pooh


Winnie the Pooh has stories of the right length for a little kid, and all the animals are oddly crotchety and absent-minded and fun to read. I think it will get better with time, too -- Eleanor is just at the beginning of getting it. And of course Pooh sings all the time, and makes up little rhymes. It's nice to come back to an old favorite that has been overcommercialized and realize that the original is a good and gentle thing.

Love, Annie